Julian Rosefeldt
work  | CV  | video
Project(s) at West
2012.07
Volkspaleis
2012.07
Julian Rosefeldt
 
*1965 Munich, Germany — lives and works in Berlin, Germany
 

Education
1988-1994
MA Architecture, Technische Universität, Munich, Germany
 

Solo Exhibitions
2012
The trilogy, West Den Haag
--
Asylum, curated by Heinz Peter Schwerfel, Dirimart Garibaldi, Istanbul, Turkey
--
Film and photo works, Taipei Fine Arts Museum, Taiwan
--
Akademie der Schönen Künste, Munich, Germany
--
Barbara Gross, Munich, Germany
2011
American Night, Australian Centre for the Moving Image, Austrailia
--
Photo Works, ARNDT, Berlin, Germany
2010
Making Of: Film Installations and Photo Works 2004-2010, DA2, Salamanca, Spain
--
American Night, British Film Institute, London, UK
--
Living in Oblivion, Berlinische Galerie, Berlin, Germany
--
Arndt & Partner, Berlin, Germany
2009
American Night, EX3, Florence, Italy
--
Prospectif Cinéma, Centre Georges Pompidou, Paris, France
--
Kunstmuseum Bonn, Germany
--
Arndt & Partner, Berlin, Germany
2008
Requiem, Helga de Alvear, Madrid
--
The Ship of Fools, Arndt & Partner Project Space, Berlin, Germany
--
The Ship of Fools, Max Wigram Gallery, London, UK
2007
Apeejay Media Gallery, New Delhi, India
--
Platform China, Beijing, China
--
Galeria Vermelho, São Paulo, Brazil
--
Koraalberg, Antwerp, Belgium
2006
Julian Rosefeldt, Chapter Gallery, Cardiff, UK
--
Clown, Max Wigram Gallery, London, UK
--
Lonely Planet, Arndt & Partner, Berlin, Germany
--
Lonely Planet (under the auspices of the Biennale Bonn Theatre Festival), Bonner
--
Kunstverein, Bonn, Germany
2005
Galería Leyendecker, Santa Cruz de Tenerife, Spain
--
Arndt & Partner, Zurich, Switzerland
--
Trilogie des Scheiterns, ZKMax, Munich, Germany
--
Asylum (as part of Spielart Theatre Festival), Haus der Kunst, Munich, Germany
2004
Asylum, Spike Island, Bristol, UK
2003
Asylum, Atlantis Gallery, London, UK
--
Chulalongkorn Art Gallery, Bangkok, Thailand
2002
Asylum, Hamburger Bahnhof, Berlin Germany
--
Julian Rosefeldt – Global Soap, XXL Gallery, Sofia, Bulgaria (cat.)
2001
Global Soap, Künstlerhaus Bethanien, Berlin, Germany / Goethe-Institut, Salvador de Bahia, Brazil / Herzliya Museum of Art, Tel Aviv, Israel (cat.)
--
Detonation Deutschland, Architekturzentrum, Vienna, Austria (cat.)
2000
Julian Rosefeldt / Piero Steinle, Goethe-Institut, Paris, France
1999
Julian Rosefeldt / Piero Steinle, Galerie für Zeitgenössische Kunst, Leipzig, Germany
--
News, ZKM, Karlsruhe, Germany (cat.)
1998
News, Kunstsammlung NRW, Düsseldorf, Germany (cat.)
1997
Paris - Les Cathédrales Inconnues, Espace des Blancs Manteaux, Paris, France (cat.)
1996
Detonation Deutschland, Orangerie, Munich, Germany (cat.)
--
As Catedrais Desconhecidas, Alfândega, Porto, Portugal (cat.)
1995
Munich- Die unbekannten Kathedralen, Orangerie, Munich, Germany
1994
Stadt im Verborgenen, Orangerie, Munich, Germany (cat.)
 

Selected Group Exhibitions
2012
Volkspaleis, Grote Kerk, Den Haag
--
BEYOND TIME. International Video Art Today. Kulturhuset Stockholm, Sweden
2011
GESAMTKUNSTWERK: NEW ART FROM GERMANY, Saatchi Gallery, London, UK
--
Heimatkunde, Jewish Museum, Berlin, Germany
--
Star Voyager, ACMI Australian Centre for the Moving Image, Australia ( Including The Shift and Amercian Night)
--
El efecto del cine, Caixa Forum Palma de Mallorca, Barcelona
--
Color and Content, Kunstmuseum Bonn
--
Brick Mortar Video Festival, Greenfield, USA
--
Super 8, Christopher Grimes Gallery, LA, USA
--
Alive she cried, Galerie Zink Berlin, Germany, Curated by Reynold Reynolds
--
The Ephemeral show, Arndt Berlin, Germany
2010
Changing The World, Arndt Berlin, Germany
--
FischGrätenMelkStand, Temporäre Kunsthalle, Berlin (cat)
--
fast forward 2. The Power of Motion – Media Art Sammlung Goetz, ZKM, Center for Art and Media Karlsruhe (cat)
2009
Conflicting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany
--
Kurs: The Tree, Fulsgang Kunstmuseum, Germany
--
MARZlive, Marz Galeria, Lisbon, Portugal
--
My Evil Twin, MacKenzie Art Gallery, Regina, Canada
--
Contour 2009: The 4th Biennial of the Moving Image, Mechelen, Belgium
--
Leichtigkeit und Enthusiasmus. Junge Kunst und die Moderne, Kunstmuseum Wolfsburg, Germany
--
Selection de la KunstFilmBiennale Cologne 2007, Centre Nacional Georges Pompidou, Paris, France
--
Green Platform- Art, Ecology, Sustainability, Centro di Cultura Contemporanea
--
Strozzina (CCCS), Florence, Itlay
--
Biennial of the Canary Islands
--
Intemperie, Bienal del Fin del Mundo, Ushuaia, Tierra del Fuego, Argentina
--
Lo Mejor de la KunstFilmBiennale 2007, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
--
Berlin change plus vite que mon coeur- Vidéos et visions mouvantes actuelles, Lille 3000, Lille, France
2008
Berlin Dub, Bodhi Art, Mumbai, India
--
The Order of Things, Museum of Contemporary Art, Antwerp, Belgium
--
Variable Capital, The Bluecoat, Liverpool
--
Laughing in a Foreign Language, The Hayward Gallery London, UK (cat.)
--
The Cinema Effect: Illusion, Reality, and the Moving Image, Hirshhorn Museum and Sculpture Garden, Washington, DC, USA (cat.)
--
Molten States, Royal Academy of Arts, London, UK
--
Die Tropen, Martin-Gropius-Bau, Berlin, Germany
--
After Effects, Museo de Arte Contemporaneo, Santiago de Chile, Chile
--
Bad Joke, Riga Art Space, Riga, Latvia
--
Cinema Indeed - Narratives and Projections, Itaú Cultural São Paulo, Brazil
--
Through the Looking Glass, Glenbow Museum, Calgary, Canada
--
The Way Things Are... Works from the Thyssen-Bornemisza Art Contemporary Collection Centre of Contemporary Art Torun, Torun, Poland
--
Schwarze Galle - roter Saft. Aspekte des Melancholischen in der Kunst, b-05 Kunt- und Kulturzentrum, Montabaur, Germany
2007
Cuestión Xeracional, Santiago de Compostela, Spain
--
Destroy Athens- 1. Athens Biennial, Athens, Greece (cat.)
--
Drei Farben – Weiss, XIV. Rohkunstbau, Groß Leuthen, Germany (cat.)
--
Made in Germany, Sprengel Museum, kestnergesellschaft and Kunstverein Hannover, Hannover, Germany (cat.)
--
100 TAGE=100 VIDEOS , GL Strand, Kopenhagen
--
Relics & Ruins, Cultural Telemar, Rio de Janeiro, Brazil
--
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
--
Existencias, MUSAC - Museo de Arte Contemporaneo de Castilla y León, Spain
--
Kino wie noch nie, Akademie der Kunste, Berlin, Germany ( cat )
--
Manipulations.On Economies of Deceit, CCA Ujazdowski Castle, Warsaw, Poland (cat)
--
Silence. Listen to the Show, Fondazione Sandretto Re Rebaudengo, Turino, Italy (cat)
--
Scheitern, Landesgalerie, Linz, Linz. Austria (cat)
--
The Hurricane Projects, The Moore Space, Miami, USA
--
Generational Issue, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
--
Bad Joke, Tallinn Art Hall, Tallinn, Estonia
2006
Forms of Classification: Alternative Knowledge and Contemporary Art, Cisneros Fontanals Art Foundation, Miami, USA
--
Bienal de Arte, Arquitectura y Paisaje, Canary Islands, Spain
--
Le Printemps de septembre 2006, Toulouse, France (cat.)
--
Highlights from the KunstFilmBiennale Köln in Berlin, Kunst-Werke Institute for Contemporary Art, Berlin, Germany
--
El equilibrio y sus derivados, Casa del Lago (UNAM), Mexico City, Mexico
--
100 Tage = 100 Videos, Kunstverein Heidelberg, Germany
--
Die Vergaenglichkeit des Schoenen, Stadthalle Goerlitz, Goerlitz, Germany
--
Video Installations from the Olbricht Collection Essen, Skulpturenmuseum Glaskasten
--
Marl, Marl, Germany
--
Mathilda is calling, Institut Mathildenhöhe, Darmstadt, Germany (cat.)
--
Sonambiente, Akademie der Künste, Berlin, Germany
--
Dark Places, Santa Monica Museum of Art, USA (cat.)
--
Indeterminate States, Ella Fontanals Cisneros Foundation, Miami, USA (cat.)
--
Global Players. Contemporary Japanese and German artists, Ludwig Forum fur Internationale
--
kunst, Achen, Germany
--
Manipulations. On Economies of Deceit, Laznia Centre for Contemporary Art, Poland
2005
Beyond Delirious, Cisneros Fontanals Art Foundation, Miami, USA
--
Contrabandistas de Imágenes, Museo de Arte Contemporáneo, Santiago de Chile, Chile
--
El diablo no es tan feo como lo pintan, Museo de Bellas Artes, Buenos Aires, Argentina
--
Manipulations. On Economies of Deceit, Prague Biennial, National Gallery, Prague, Czech Republic
--
Biennial of Urgency, Palais de Tokyo, Paris, France (travelling to Brussels, Bolzano, Milan, Riga, Tallinn and Grozny)
--
Comedy (curated by Ekaterina Degot), Moscow Art Fair, Moscow, Russia
--
Art Basel Unlimited (under the auspices of Arndt & Partner, Berlin), Basel, Switzerland
--
Others, Sørlandet Art Museum, Kristiansand, Norway
--
Baroque and Neo-Baroque, Domus Artium DA2, Salamanca, Spain
--
Architecture Mobil, wilhem Hack-Museum, Ludwigshafen, Germany (catalogue)
--
Global players, Contemporary Japanese and German Artists, Bankart Yokohama and Tokyo Gallery, Japan
2004
26th São Paulo Biennale, São Paulo, Brazil (cat.)
--
Shake Staatsaffaire (Affaire d’ Etat), O.K Centrum fur Gegenwartskunst, Linz, Austria / Villa Arson, National Centre of Contemporary Art, Nice, France (cat.)
--
Einleuchten Museum der Moderne, Salzburg, Austria (cat.)
2003
Rituale, Akademie der Künste, Berlin, Germany (cat.)
--
Melodrama, Museo de Arte Contemporánea de Vigo, Vigo, Spain
2002
Hommage à Max Beckmann, Centre National Georges Pompidou, Paris, France (cat.)
--
Architourism, Columbia University / Buell Center, New York, USA
--
Melodrama, Museo Vasco de Arte Contemporáneo, Vitoria / Centro José Guerrero, Granada, Spain (cat.)
2001
Supermarket (by Bilijana Srbljanovic, directed by Thomas Ostermeier), Schaubühne am Lehniner Platz, Berlin
--
Tele[visions], Kunsthalle Vienna, Vienna, Austria (cat.)
--
De Schoonheid van het Kwaad, De Zonnehof, Amersfoort, The Netherlands
2000
Multiple Sensations, Yerba Buena Center for the Arts, San Francisco, USA
1999
Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany (cat.)
1998
Performing Buildings, Tate Gallery, London, UK
--
Deep Storage, P.S.1, New York / Kunstmuseum Düsseldorf / Henry Art Gallery, Seattle
 

Collections
--
CAC Centro de Arte Contemporáneo de Málaga, Málaga, Spain
--
MUSAC, Castilla y Leon, Spain
--
Fontanals Cisneros Art Foundation (CIFO), Miami, USA
--
Olbricht Collection, Essen, Germany
--
Hoffmann Collection, Berlin, Germany
--
TBA21 - Thyssen-Bornemisza Art Contemporary, Vienna, Austria
--
Deutsche Bank Collection, Frankfurt, Germany
--
Saatchi Collection, London, UK
--
UBS Collection, London, UK
--
Goetz Collection, Munich, Germany
 

Selected Bibliography
2011
Claudia Graeter, Coax Magazine, July 2011
2010
fast forward 2. The Power of Motion. Lars Stamm, “Julian Rosefeldt.” Edited by Ingvild Goetz and Stephan Urbaschek. ZKM Museum für Neue Kunst Karlsruhe. Ostfildern, pp. 190–197
--
Living in Oblivion. Berlinische Galerie, ed. Julian Rosefeldt. Berlinische Galerie, Berlin, Bielefeld, 2010
2009
Hidden in Remembrance is the Silent Memory of our Future, texts by Marc Glode and Katerina Gregos, published on occasion of Contour, the 4th film Biennial, Mechelen by vzw
--
Mark (A Prior Magazine), The Royal Academy of Arts (KASK) of the University College Ghent, pp. 138-147
--
Green Platform. Art, Ecology, Sustainablity, texts by James Bradburne, Hans Dexler, Valentina Gensini, Lorenzo Giusti, Franco La Cecla, Franziska Nori, Gunter Paul, Marjetica Potrč and John Thackara published by Roberto Di Puma, Igor Salmi, 2009
--
Coline Millard (Translation, L-S Torgoff), Julian Rosefeldt, Artpress February 2009, pp.78-79
2008
Julian Rosefeldt: Film Works, texts by Stephan Berg, Anselm Franke, Katherina Gregos David Thorp, published by Hatje Cants Publishing
--
Diana Baldon, 1st Athens Biennial, ArtForum, January 2008, pp. 276
2007
Eliza Williams, Julian Rosefeldt, Flash Art, Vol. XL No.252 January – February, pp. 119-120 (with ill)
2006
Judith Behamou-Huet, Tendances Marche de l’art, LE POINT, 12 October, p. 124
--
Judith Behamou-Huet, Riche Printemps a Toulouse, Les Echos, 6 October
--
Une Ligne a suivre, Sud Ouest, 1 October
--
Brigitte Ollier, Toulouse en premieres “Lignes”, Liberation, 26 September
--
Toulouse fête le printemps, La Tribune, 29 September
--
Xerxes Cook, (preview), Tank Magazine, October Issue
--
Anselm Franke, Julian Rosefeldt: Trilogy Of Failure, Next Level Magazine, Issue 9, Summer Issue, pp. 114 – 123 (with illustrations)
--
Christoph Cox, Reverb Time, Artforum International, September Issue, pp. 89-90 (with illustration)
--
Sally O’Reilly, Reviews: Julian Rosefeldt, ArtReview, December 2006, p.142
2005
100 Future Greats, Art Review, Vol. IX, December 2005, pp. 66 – 70 (with illustration)
--
David Thorp, Julian Rosefeldt, Contemporary-special issue on video, Issue 71, April 2005, pp. 103 – 105 (with illustrations)
2004
Sally O’Reilly, Julian Rosefeldt, Frieze, Issue 87, p. 123 (with ill.)
--
Francesco Manacorda, Julian Rosefeldt, Flash Art, November, Issue 238, p. 84 (with ill.)
--
Eliza Williams, Julian Rosefeldt, Art Review, No.10, October, p. 123 (with ill.)
--
Martin Herbert, Julian Rosefeldt, Time Out London, 1- 8 September, p. 52
--
Valentina Angostinis, Julian Rosefeldt, immigranti e riti quotidiani, Carnet, Issue 02,
--
Patricia Ilya and Reed Gridneff, Who’s Depending On Who and All These Strange Things, Neue Review, July 2004
--
Kerstin Stremmel, Wiederkehr des Verdrängten”, Neue Züricher Zeitung, February 20, 2002
2003
Angelika Sommer, Rituale in der zeitgenössischen Kunst, Museums Journal, April 2003
2002
Katerina Gregos, Julian Rosefeldt: Asylum, Contemporary, London, December Issue, p94.
--
Ulrich Clewing, Rosen aus Indien, Der Tagesspiegel, 11th October, 2002
--
Ingeborg Ruthe, Geknickte Stäbchen, Julian Rosefeldt’s Asylum, Berliner Zeitung, 2n October
--
Kerstin Stremmel, Wiederkehr des Verdrängten, Neue Züricher Zeitung, 20th February
--
Johanns Wetzel, Wider das klischee vom berserker, Berliner Zeitung, October 12, 2002, p.11
2001
Paul Jandl, Detonation Deutschland, Neue Züricher Zeitung, 13th August
--
Fremde Gesichter, bekannte Gesten - Die Welt ist eine seifenoper , Der Tagesspiegel, 24thJuly
--
David Rapp, Bubbling and Squeaking – Ha’aretz Week’s End, Herald Tribune International, March 2, 2001
2000
Jörg Lau, Globale Seife, Die Zeit, July 12, 2001
--
Niels Werber, Zweierlei Aufmerksamkeit in Medien, Kunst und Politik, Kunstforum, No. 148, January, pp. 139-151
--
David Bonetti, Collections, Series form ‘Multiple Sensations’, San Francisci Examiner, September 4
1999
Otto Neumaier, Von deutscher Seele, noëma, May/June, pp. 76-79
1998
Thomas Wolff, Ozapft is, Frankfurter Rundschau, 23 December, p. 9
--
Esther Ruelfs, Die ewige Wiederkehr des Ferienstaus, Taz, 1st October
--
Robin Updike, Adding up to History, The Seattle Times, 05th November
--
Roberta Smith, Seeking the Innate Order or Chaos, The New York Times, 31st July
--
Laurie Attias, Forgotten Paris, Metropolis, February/March, pp. 74-75
--
Laurie Attias, Julian Rosefeldt and Piero Steinle, Frieze, January, p. 91
--
Ralf Siftel, Bonn. London, New York, Julian Rosefeldt und Piero Steinle sezieren ‘News’ in der Kunstsammlung NRW”, westfälischer Anzeiger, July 15
1997
Wilfried Wiegand, Das Schweigen des Grand Palais, Frankfurter Allgemeine Zeitung, 15th August, p. 33
--
Éric Biétry-Rivierre, Dans les Coulisses de la Ville, Le Figaro, 9th August
--
Fréderic Edelmann, La solitude de Gaspard dans la nuit, Le Monde, 8th August
--
Sibylle Vincendon, Géants Urbains Capturés, Liberation, 5th August
--
Myriam Boutoulle, Lieux de l’ombre, Beaux Arts, August Issue
1996
Rita Siza, Fascínio pelo vazio, Publico, 10th October, p. 25
--
Brita Sachs, Wer sich eine Grube sprengt, Frankfurter Allgemeine Zeitung, 26th April
--
Till Briegleb, Detonation Deutschland, Die Zeit Magazin, 19th April, pp. 10-18
--
Nieder mit der Architektur, Der Spiegel, Issue 14, p. 251
--
Gerhard Matzig, Einstürzende Altbauten, Süddeutsche Zeitung, 29th March, p. 15
--
Peter Michalzik, Die Ruhe vor dem groβen Knall, Frankfuther Rundschau, March 1996, p.6
1995
Dieter Bartetzko, Anrufung der Toten, Frankfurter Allgemeine Zeitung, 22nd December, p.35
--
Jean Wolfgang Stock, Die Filiale der Hölle, Süddeutsche Zeitung, November 22, 1995, P.14
1994
Wolfgang Höbel, Unter uns, Süddeuts